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Natur & miljø - Den moderne naturforståelses opståenThe world’s first environmental bloggerKen Worpole, 30. august 2005 Ken Worpole visits an English country garden where the seeds of the modern world were planted. The rapturous reception given this summer to Findings,
a collection of essays and travel writings by the Scottish poet, Kathleen
Jamie, included one critic comparing her work to that of Gilbert White. When
interviewed on this, Jamie admitted to a sense of flattery, but went on to add
that she did “not think many people will know of the great 18th-century
English naturalist.” Can this be true? When Penguin Books bought the rights to publication in 1977, White’s book, The
Natural History of Selborne was already the fourth most published book
in the English language. It has remained in print ever since. First issued in
1788, it is not the usual stuff of bestseller lists, consisting as it does of
letters written by a country clergyman to his friends recording birds seen, and
flowers and plants classified in loving detail. Today, the Reverend
Gilbert White (1720-93) is regarded — by those who do know his work — as
one of the founding fathers of ecology. This year White’s
house The Wakes, in the pretty village of Selborne, in the southern English
county of Hampshire, celebrates a milestone anniversary: it is fifty years since
it was acquired by a dedicated trust and opened to the public. A grant of over
£1 million from the Heritage
Lottery Fund has meant that the twenty-acre gardens have been exquisitely
restored, the house repaired, and a new field-studies centre created. It is a
real pleasure to visit. The gardens are extensive, many and varied. There are kitchen gardens, herb
gardens, floral walks, topiary hedges, vegetable plots, lawns and wildflower
meadows, all set within an astonishing arc of woodland rising to the sky. This
is the famous beechwood hanger which defined White’s world, a rising cliff of
trees to the southwest, creating a border country between forest and meadowland.
This distinctive topography made his birdwatching so productive, since most
birds prefer habitats which offer both open country and opportunities for
seclusion and retreat. White planted his first trees at The Wakes when he was 11, and died there
sixty-two years later, just a hundred yards from the house in which he was born.
In a letter dated 8 October 1768, he mischievously noted that, “It is, I find, in zoology as it is in botany: all nature is so full, that that district produces the greatest variety which is the most examined.” In short, the closer you look, the more you will find. White never tired of
the protean life which teemed in these modest fields, woods and hedgerows,
beyond which rose the rather forbidding “vast range of mountains called the
Sussex-downs”. As with Kant in Königsberg, White “travelled greatly in one
place”. Unlike the system-builders and taxonomists of his time such as Linnaeus,
whose great work of classification Systema Naturae was published in
1758, or more disciplined natural scientists such as Darwin and the Lunar
Men described in Jenny
Uglow’s group biography, White’s influence has been
more ssubtle, but in the end more pervasive. He is widely regarded as the first scientific observer to advance the belief
that man and the birds and flowers belonged in the same world together, and
somehow shared a common destiny. The swallows and swifts which returned to
Selborne every April from their winter sojourn in Africa were greeted not as
potential new specimens or bundles of automata but as familiars and old friends.
He is undoubtedly the founding-father of English naturalist writing, which is
currently enjoying a renaissance. White marvelled at the many adaptive ingenuities of birds and small mammals,
as they found their niche in the landscape. In a letter of 1 August 1771, he
records a neighbour who had been visiting the local woods to determine in which
key owls sing: in Selborne they hooted mostly in D, but in other villages they
hooted in G flat, F sharp, B flat and A flat. He admired the architectonic
skills of the nest-builders, and the ferocity with which otherwise shy birds
protected their fledglings, when attacked. He told the story of how a cat whose
kittens had been taken away had suckled a young hare instead, and, well before
Darwin, he praised the vital contribution made to natural fecundity by the
common earthworm. The best way to visit
White’s house is by bicycle. Our small party met at Overton Station twenty
miles north of Selborne, and cycled a delightful route through the deserted back
lanes of rural
Hampshire. If twenty miles seems too much, then visitors can take a train to
Liss, and cycle seven miles north to White’s village. If you take the longer route, a short detour brings you to Steventon,
the village where Jane Austen was born in 1775, and where her father was
minister at the church. Though Austen and White never knew each other, their
lives overlapped and so must have some of their social circles. Austen’s
biographers have been able to describe the weather the young Jane experienced on
particular days, as a result of Gilbert White’s meticulous
record-keeping. Once in Selborne those who wish to can carry on to Jane Austen’s final home
at Chawton,
only three miles away. Here Austen’s famous letter of 29 January 1813
announcing the publication of Pride and Prejudice, “my own Darling
Child”, has just gone on public display. WH Auden once claimed that Jane Austen was the first Marxist — for her
portrayal of the way in which most social relations float on a network of
property rights and economic advantage. In the same vein it could be said that
her erstwhile neighbour, Gilbert White, was the first environmental blogger.
More than 200 years after they were first written, White’s letters enable us
to share his pleasure, but equally gauge the scale of loss of flora and fauna in
just one small part of Britain – and understand why this matters. Nothing quite prepares the first-time visitor to the gardens
at Selborne for the sheer scale and splendour of what is one of the most
influential — if still too little known — landscapes of the modern world.
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